Infinite Becomings is a hybrid. It took shape as a site-specific installation and goes beyond geographic limits as a zine and web archive. Augmented Reality filters which can be used with all forms of the work, bridge the gap between digital and physical space. Infinite Becomings exists as a multiplicity, shifting between physical, digital and relational forms.

This is the first iteration in a series of Infinite Becomings' growth. It existed as a physical entity in the NCAD gallery space from the 13th April to 11th May, 2021. Each new layer of development will be manifested again in a new propagator space.

In an exhibition space, this state of becoming is manifested into an installation. Infinite Becomings is a space where thoughts and ideas are nurtured. Discarded, resting, gestating, unfurling fragments inhabit the space in three-dimensional form. Each fragment (work in process/ image, object, text), is installed with the conversations, notes and drafts that they developed from. Fragments which make up the installation include;

floating frames, glitching images, quiet light, living terrariums, lost statues, and sculptural poems. Incomplete fragments connect with others to coalesce into one, whole ‘state of becoming’. Our collective stream of consciousness grows into being along the gallery walls, becoming an expanded brainstorm; an exhibition as notebook. From outside, the NCAD Gallery window frames and shape the installation, giving passersby an insight into the process of the works as they develop.